It’s easy to pick up the style but difficult to master – but you don’t have to be a master to participate.” For Ingham, clawhammer banjo grows in interest in what he calls the post-traditional age and ...

Jonas Friddle grew up listening to classic rock, Creedence Clearwater Revival, for example. He also heard a lot of folk musicians, including John Prine and Doc Watson, while growing up in the North ...

Program and biographical notes by Charlie Faurot on container. "Old time banjo and fiddle tunes"; featuring Wade Ward, Fred Cockerham, George Stoneman and Kyle Creed, with instrumental ensemble.

At Denver's Swallow Hill BanjoFest on Saturday, the toe-tappin' rhythm, quick-pickin' chords and an unmistakable twang filled the air. For Toronto-based musician Chris Coole, that sound comes down to ...

From the hills and hollers of Southern Appalachia to the teeming Canadian metropolis of Toronto and well beyond travels the clawhammer banjo style. Coeburn’s Ralph Stanley learned it from his mother.

When Bill Monroe came up with bluegrass–“this high, lonesome sound,” as people called it at the time–banjo players used the clawhammer style. They flailed with their fingers and hands to play chords.