Though one can view Honoré Daumier’s 19th century lithographs from a purely artistic or purely political standpoint, they were often a blend of both. An artist whose work was characterized by ...

The political circumstances are unstable, a nefarious clique is abusing its power, the economy is in crisis, and the social situation is growing ever more complex and confused.

ALL QUESTIONS concerning the ambiguous world of Daumier sculpture have been snatched away from a dusty drawer of art history and neatly placed in a revolutionary exhibition at the Fogg Museum. Rather ...

Mix The New Masses and The New Yorker together, shake hard, Gallicize, move back a century to the time when to be Left in France was to be Republican, and you have something like La Caricature and its ...

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or ...

Two art publishers have lately released, as though for the purpose of convenient comparison, a volume of drawings by an artist better known for his paintings and another of paintings by a genius at ...

This exhibition is made up of texts and illustrations, some of which can be explored in close-up thanks to their ...

For a long time, all Honoré Daumier (1808-79) meant to me were the prints in my father’s office. Like many of his fellow physicians, at least the cultivated ones with leftist pedigrees from the 1930s, ...

We’ll send you a myFT Daily Digest email rounding up the latest Life & Arts news every morning. All his life Honoré Daumier kept at his bedside a copy of Cervantes’ Don Quixote. Both writer and artist ...

Honoré Daumier was a French painter and printmaker best known for his caricatures critiquing and satirizing society and politics in 19th-century France. His two most famous characters were the ...