“The (R)evolution of Steve Jobs” doesn’t so much begin as start up. When the first flourish of composer Mason Bates’s score rings out — a wobbly, synthetic chime of sorts — you’d swear someone had ...
It’s not so strange, really, that there’s a serious opera about Apple co-founder Steve Jobs. His life’s work is usually invoked before every production of the last decade or more, when audiences are ...
“I had the original toaster-like Macintosh in 1984,” says Mark Campbell. “And I have been a devotee of Apple since.” Good thing, then, that he was asked to write the libretto for The [R]evolution of ...
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