BERLIN — For 25 centuries, a mythic Medea has haunted civilization. The sorceress — mortal granddaughter of Helios, the sun god of Greek mythology — kills two of her children as revenge for her ...

Performances in N.Y.C. Advertisement Supported by Sondra Radvanovsky has taken on one of opera’s most grueling roles. “You can’t just act it,” she said. “You really have to live it.” By Javier C.

It should have worked better. Classical Theatre’s season opener, Medea, has all the talent, tools and twists to make Euripides’ classical play something remarkable. There’s the crisp 95-minute runtime ...

When Luigi Cherubini's Medea opens at the Canadian Opera Company this May, Toronto audiences will have the opportunity to witness a globally acclaimed cast take on one of opera's most rarely performed ...

There’s something pleasingly ritualistic (and, therefore, very Greek) about Michael Boyd’s new production of Medea for the Edinburgh Festival and the National Theatre of Scotland. Tom Piper’s designs, ...

“I go now to the Styx, the sacred river!” sang the soprano, and flinging aside her dagger, collapsed on the stage. As the curtain fell, buxom Eileen Farrell hoisted herself to her feet, trudged back ...