Henry Wallis, “Chatterton” (c. 1855–56), oil on canvas, 62.2 x 93.3 cm (24 1/2 x 36 3/4 in), Tate Gallery, London (all images courtesy the National Gallery of Art) In its first iteration in London, ...

Why have there been no great women Pre-Raphaelites? Well, it turns out there were quite a few. The first exhibition to focus on the women behind the movement that took Victorian Britain by storm ...

As an independent publication, we rely on readers like you to fund our journalism. If you value our coverage and want to support more of it, consider becoming a member today. Already a member? Sign in ...

Truth & Beauty: The Pre-Raphaelites and the Old Masters is an escape. In the mausoleum-like lower galleries at the Legion of Honor, there are no windows to remind you of the outside world. There’s ...

The Google Doodle for November 18 honors Fanny Eaton, a muse to the Pre-Raphaelites who helped redefine Victorian standards of beauty. Born in Jamaica on June 23, 1835, Eaton moved to London in the ...

The pre-Raphaelite movement in America: an introduction -- The British brotherhood -- Buchanan Read and the Rossettis -- William J. Stillman: "The American pre-Raphaelite" -- The Crayon: the first ...

The top-selling image at the museum bookstore of London’s Tate Britain is of a young woman floating on her back in a quiet river. Heavy-lidded eyes stare emptily upwards, lips are parted in confusion, ...

The meaning of art is in the eye of the beholder. To straitlaced Victorians, John Everett Millais’s painting Ophelia epitomized the shocking new ideals of the Pre-Raphaelite Brotherhood, a group of ...

The handful of British artists who called themselves the Pre-Raphaelite Brotherhood were “a radical yet backward-looking” bunch, said Jeffry Cudlin in the Washington City Paper. The movement’s major ...

Andy Grundberg's review of the National Gallery of Art's "Pre-Raphaelite Lens" exhibition ["A brotherhood that inspired a blurred vision," Arts & Style, Nov. 7] was the type of art review that drives ...