Giuseppe Bertolucci's thoughtful docu "Pasolini Next to Us" jolts the viewer with the relevance of Pier Paolo Pasolini's ideas. The film is a collage of stills taken on the set of "Salo or the 120 ...

The Gene Siskel Film Center wraps up its month-long series showcasing the final four films of Italian director Pier Paolo Pasolini (1922-1975) with a one-week run of 1975’s “Salo, or the 120 Days of ...

One night in early November 1975, Pier Paolo Pasolini, the iconoclastic master of Italian neorealist cinema, was brutally murdered on a beach outside Rome. This horrifying – and to this day, unsolved ...

The Criterion seal alone implies a standard of artistic merit, allowing the film to take many audiences by surprise when discovering the true nature of Pier Paolo Pasolini's last, and most astonishing ...

Copy and paste the code in your html to embed this video, making sure to credit Cineuropa: In the summer of ’75, Pier Paolo Pasolini is editing one of his most controversial movies, Salò, a film that ...

A scene from Pier Paolo Pasolini's "Salò, or the 120 Days of Sodom." (Zebra Photofest) "120 Days of Sodom," the rapacious weave of sexual excess and debauchery penned by Marquis de Sade in the late ...

This week, the Gene Siskel Film Center’s 12-film retrospective of Pier Paolo Pasolini concludes with a screening of his notorious final film, Salo, or the 120 Days of Sodom. Similar to David Lynch and ...

Pier Paolo Pasolini’s “Salò, or the 120 Days of Sodom” contains some of the most repellent and disturbing imagery ever put on film and was instantly banned in Pasolini’s native Italy upon its release ...

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