Pete Townshend came roaring into New York City’s fabled Metropolitan Opera House at Lincoln Center this weekend with the force of a thousand GS Scooters as he delivered Classic Quadrophenia ...

The Who started their 'Song Is Over' farewell tour with big hits, and a few deep cuts, including "I've Had Enough" and "Love Ain't For Keepin'." ...

20. In November last year, The Who started a 37 date U.S. tour of Quadrophenia. Dubbed, 'Quadrophenia + More', the album would be played in its entirety, with a selected hits encore included.

Quadrophenia started life in 1973 as a double album, and six years later became a film; now it’s a contemporary dance piece with an outstanding cast. Yet it seems to be a case of diminishing returns.

After Plymouth, Quadrophenia: The Ballet is touring, in Edinburgh, Southampton, London and Salford until July 19. For more information and tickets click here. About Our Ads ...

Quadrophenia, which was loosely based on the Who album of the same name, sees a young mod get into trouble after brawling with 'Rockers', losing his home, girlfriend and his delusions of grandeur.

The new re-issue of the Who's 'Quadrophenia' takes us back to mid 1973, when the Who were unofficially dubbed the worlds greatest live rock 'n' roll band and had several successful recordings ...

Classic Quadrophenia will have its live debut on July 5 at London’s Royal Albert Hall with the full album cast, and Townshend tips that “there are some more shows in the cards.

Unlikely as it may sound but Pete Townshend’s rock opera, set during the mid-60s mod era has been turned into a dance production that premieres at Plymouth’s Theatre Royal in a couple of weeks.

The cast of 1979’s Quadrophenia were reunited this weekend to celebrate the film’s 40th anniversary. Leslie Ash (Steph), Garry Cooper (Peter), Phil Daniels (Jimmy), Phil Davis (Chalky), Trevor Laird ...

Quadrophenia may be the greatest celluloid celebration of mod culture there is, but it’s laced with a deep sense of cynicism.

According to Pete Townsend, “”The whole conception of Quadrophenia was geared to quadraphonic, but in a creative sort of way. I mean I wanted themes to sort of emerge from corners.