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Digital Music News on MSNByteDance Taps SESAC-Owned Rumblefish to Manage TikTok Rights AdministrationByteDance has chosen HFA’s Rumblefish—owned by SESAC—to handle data, licensing, and royalty management services to ByteDance ...
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Songs Pulled from YouTube Over SESAC Content - MSNSESAC holds licensing rights to numerous songs by artists like Neil Diamond, Jack Harlow, Ariana Grande, Hillary Scott of Lady A, Blanco Brown, and others mentioned above.
SESAC’s performance license rates for the 2023-2026 period will have a blanket fee of 0.2824% of revenue, a 10.4% increase from the prior rate.
SESAC announced today that its arbitration with the Radio Music Licensing Committee has resulted in a rate 50 percent higher than the one recently negotiated by ASCAP, which it claimed is the rate ...
SESAC, which “currently licenses the public performance of more than 1.5 million songs on behalf of its 15,000+ affiliated songwriters, composers, and music publishers,” has not yet commented ...
Songwriters and music publishers have struck a compromise with SESAC that puts the Music Modernization Act back on the fast track to becoming law this year. The Music Modernization Act, the first ...
SESAC, which has been under majority ownership by private equity firm Rizvi Traverse since December 2012, is ready to grow. That’s the word coming out of the organization, which just picked John ...
Throughout almost two decades, songwriter and producer Luciano Luna has stood out as one of the most prolific artists behind the scenes in regional Mexican music, with songs like “Te Hubieras ...
SESAC and Online Music File Sharing How much of a problem is online bootlegging and music file-sharing for artists and the recording industry? NPR's Tavis Smiley talks with Trevor Gale, ...
Aug 2 (Reuters) - SESAC, whose clients include Adele, Bob Dylan and Neil Diamond, on Friday priced a two-part $560 million bond offering backed by music royalties and licensing agreements ...
From the zoning, land use and preservation questions looming over Music Row to the licensing, copyright and transparency issues being discussed in Silicon Valley and Washington D.C.
SESAC was found in 1931 by Paul Heinecke on the principle that “music is the common denominator… a communications instrument that knows no language barrier”.
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