Part indie rock biopic, part absurdist jukebox-style stage musical, Alex Ross Perry’s kaleidoscopic portrait of the 1990s band Pavement is no ordinary music doc.

One hundred years after he was born, we celebrate the Italian star who transcended his ’Latin lover’ image in all-time-great films for Federico Fellini.

Adam Driver teams with Francis Ford Coppola for a dazzling futuristic vision, while a Kurosawa classic returns. What are you watching this weekend?

At relaxed screenings for neurodivergent audiences, the unexpected isn’t always appealing. But introductions and post-screening discussions can help navigate the intensity of the cinematic experience.

This year’s competition jury presidents are Alexandre O. Philippe, Dionne Edwards, June Givanni and Chloe Abrahams.

Ahead of the premiere of Luca Guadagnino’s Queer at the BFI London Film Festival, we round up other films looking at the lives and fictions of William Burroughs, Jack Kerouac, Allen Ginsberg and the ...

Four decades in the making, Francis Ford Coppola’s audacious New Roman project is only conventionally digestible as an old-fashioned love story, writes Jonathan Rosenbaum.

Ralph Fiennes leads a bitter, gossipy group of cardinals through an attempt elect a new pope in Edward Berger’s entertaining papal thriller.

Co-scripted by Hellboy creator Mike Mignola and director Brian Taylor, this new instalment in the franchise respects its comic book source by tapping into Appalachian lore with soul-stealing demon The ...

On her 90th birthday, we raise a toast to the incomparable Italian screen star Sophia Loren and 10 of her finest films.

Director Sarah Friedland explores the human mind in all its frailness and glory with her exquisite drama about a woman with dementia adjusting to a new life at an assisted living facility.

Coralie Fargeat’s beauty-myth satire The Substance isn’t shy about its influences. It’s made up of the body parts and genetic code of many earlier films.