In the performance that would define his career, Marlon Brando plays Terry Malloy, a onetime prizefighter now resigned to backbreaking work as a longshoreman on docks ruled by a ruthless union boss ...
“Worked with Billy Wilder, who paces constantly, has over-extravagant ideas, but is stimulating. He has humor – a kind of humor that sparks with mine.” - excerpt from Charles Brackett’s diary (1936) ...
Special guests include filmmakers Charlie Ahearn, Frank Mouris, Jeanne Liotta, Bill Morrison, and Lisa Crafts; and archivists/preservationists Pamela Vizner (BB Optics), Heather Linville (Academy Film ...
One of Welles’s most sheerly entertaining efforts, Touch of Evil is a sordid noir of gray morality and striking black-and-white images, photographed by Douglas Sirk regular Russell Metty, set to the ...
Lee won a Student Academy Award for this hour-long film, which he made as his master’s thesis for NYU’s Tisch School of the Arts. Monty Ross (who would go on to co-produce several of Lee’s features, ...
Foreign Language Film nominee and winner of the Palme d'Or, Andrzej Wajda's examination of a shipyard workers' strike, set during the formative years of Poland's Solidarity movement, includes a brief ...
Pre-screening presentation by Academy governor and Oscar-winning costume designer Ruth Carter and 3D designer Julia Koerner. Original costumes from Black Panther were on display, plus hands-on costume ...
This retrospective launches with the Los Angeles premiere of the long-lost film Too Much Johnson – directed by Orson Welles for the Mercury Theatre two years before he went to Hollywood and made ...
Preceded by the short film Steamboat Willie (1928), with a post-screening dessert reception. Hosted by Academy President John Bailey and Oscar-nominated production designer Jeannine Oppewall. In ...
In this 1940 classic, Barbara Stanwyck stars as a shoplifting New Yorker who after a series of mishaps, ends up spending a family Christmas at prosecutor Fred MacMurray’s Indiana home. With impeccable ...
Penelope Spheeris returns to the punk scene she first documented in 1981 and finds new bands equally as inflammatory as their predecessors. The powerful final chapter in Spheeris’s Decline of Western ...
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