Gregg Toland pioneered deep focus cinematography in Citizen Kane in 1941, keeping everything from
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Gregg Toland pioneered deep focus cinematography in Citizen Kane in 1941, keeping everything from
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Secret Cinematographer Created Masterpiece!
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Gregg Toland on working with Orson Welles in Citizen Kane (1941): "Photographing Citizen Kane was indeed the most exciting professional adventure of my career. Welles is unique in his zeal to get exactly what he wants. We spent four days perfecting one very difficult shot. It was a complex mixture of art and mechanics. A table and chairs on rollers were to behave with clock-like precision as a three-ton camera boom moved over them…” The full text is available for our subscribers | History of Cin
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Gregg Toland on working with Orson Welles in Citizen Kane (1941): "Photographing Citizen Kane was indeed the most exciting professional adventure of my career. Welles is unique in his zeal to get exactly what he wants. We spent four days perfecting one very difficult shot. It was a complex mixture of art and mechanics. A table and chairs on rollers were to behave with clock-like precision as a three-ton camera boom moved over them…” The full text is available for our subscribers | History of Cin
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How Orson Welles and Gregg Toland Crafted Citizen Kane: On the first day of shooting, June 29, 1940, the projection-room sequence was shot at daringly low light levels using only the streams from the projection windows and a few small fill lights. The performers were barely visible, their dialogue and background voices overlapping constantly—a pure Mercury Theatre aesthetic. The following nightclub sequence opened with an elaborate descending crane shot, the first appearance of the exaggerated m
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How Orson Welles and Gregg Toland Crafted Citizen Kane: On the first day of shooting, June 29, 1940, the projection-room sequence was shot at daringly low light levels using only the streams from the projection windows and a few small fill lights. The performers were barely visible, their dialogue and background voices overlapping constantly—a pure Mercury Theatre aesthetic. The following nightclub sequence opened with an elaborate descending crane shot, the first appearance of the exaggerated m
13.7K views11 months ago
FacebookHistory of Cinema
How Citizen Kane SHOCKED Hollywood in 1941 | Cameras Were Never the Same
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How Citizen Kane SHOCKED Hollywood in 1941 | Cameras Were Never the Same
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Citizen Kane (1941 dir. Orson Welles) (Cinematography by Gregg Toland)
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Citizen Kane (1941 dir. Orson Welles) (Cinematography by Gregg Toland)
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Occupy Cinematographers on Instagram: "Citizen Kane (1941) Dir: Orson Welles | DP: Gregg Toland Before Toland, you had to choose: focus on foreground OR background. Never both. Citizen Kane invented deep focus. The signing scene: young Charles Kane in the background, outside a window. His guardians sign documents in the foreground. Both planes are sharp. You watch his childhood being signed away while reading the papers. But there's more: Toland showed ceilings. Hollywood sets didn't have them -
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Occupy Cinematographers on Instagram: "Citizen Kane (1941) Dir: Orson Welles | DP: Gregg Toland Before Toland, you had to choose: focus on foreground OR background. Never both. Citizen Kane invented deep focus. The signing scene: young Charles Kane in the background, outside a window. His guardians sign documents in the foreground. Both planes are sharp. You watch his childhood being signed away while reading the papers. But there's more: Toland showed ceilings. Hollywood sets didn't have them -
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